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COCKAIGNE
Gayle Chong Kwancommentart.com, 19.Sep.07
COCKAIGNE
Photographs by Gayle Chong Kwan
Famously painted by Brueghel the Elder in 1567, Cockaigne was a 14th Century fictional glutton’s paradise island, a land made entirely of food, where all wants and needs are met. Hams and cheeses grow on trees, fountains run with beer, houses are roofed with pies. Erudite and multi-layered, “Cockaigne” explores utopian ideals of paradise and the presentation of the exotic in the global tourism and travel industries, as well as European legend and the history of Fine Art.
At Disney’s Epcot Centre in Florida idealised representations of world cities and cultures have been built around a circular lake, most at two thirds scale. The day can be spent walking from China to Morocco via Venice, perhaps stopping off in Mexico for a meal of tortillas and Japan for green tea, before returning to your starting point. In the same way “Cockaigne” brings together geographical, historical monuments and landscapes in one impossible and ultimately overbearing paradise island made out of food.
An icy landscape made of butter and lard is based on Casper David Friedrich’s ‘Wreck of the Hope’, the Tower of Babel is created out of meats, El Dorado of potatoes, and the Garden of Eden of rotting apples. A ‘Disney’ castle (itself inspired by ‘Mad’ King Ludwig II of Bavaria’s Neuschwanstein Castle - the king commissioned a stage designer as architect) is revealed after close inspection to be constructed of sliced white bread.
The various scenes share similar horizons, visually linking up into a fantastical landscape reminiscent of the exotic scenarios created by Dufour in 19th Century hand-printed French panorama wallpapers. The twelve 30x40” landscape prints echo the European tradition of depicting the twelve months of the year or the four seasons.
Gayle Chong Kwan is a Scottish-Chinese Mauritian artist, born Edinburgh 1973. Chong Kwan has shown extensively in the United Kingdom and abroad. In 2005 she received an Arts Council England Award and a Pepinieres Europeennes Pour Jeunes Artistes Award. As well as a BA Fine Art from Central Saint Martins College of Art, she has a MSc in Communications from Stirling University and a BA in Politics and Modern History from Manchester University. Projects include Platform for Art, London; Bonhams Contemporary, London; Great Eastern Hotel, London; Focal Point Gallery, Southend-on-Sea; ARTfutures, London; MAC, Birmingham; inIVA, London; Artsway, New Forest. Residencies include Bolwick Arts, Norfolk; Cittadellarte - Fondazione Pistoletto, Italy and Venice Printmaking Workshop, Italy.
Contact:
Indra Khanna, Curator, Autograph ABP
indra@auto.demon.co.uk
++44 (0)20 7729 9200
www.autograph-abp.co.uk
74 Great Eastern Street, London, EC2A 3JG, UK
Photographs by Gayle Chong Kwan
Famously painted by Brueghel the Elder in 1567, Cockaigne was a 14th Century fictional glutton’s paradise island, a land made entirely of food, where all wants and needs are met. Hams and cheeses grow on trees, fountains run with beer, houses are roofed with pies. Erudite and multi-layered, “Cockaigne” explores utopian ideals of paradise and the presentation of the exotic in the global tourism and travel industries, as well as European legend and the history of Fine Art.
At Disney’s Epcot Centre in Florida idealised representations of world cities and cultures have been built around a circular lake, most at two thirds scale. The day can be spent walking from China to Morocco via Venice, perhaps stopping off in Mexico for a meal of tortillas and Japan for green tea, before returning to your starting point. In the same way “Cockaigne” brings together geographical, historical monuments and landscapes in one impossible and ultimately overbearing paradise island made out of food.
An icy landscape made of butter and lard is based on Casper David Friedrich’s ‘Wreck of the Hope’, the Tower of Babel is created out of meats, El Dorado of potatoes, and the Garden of Eden of rotting apples. A ‘Disney’ castle (itself inspired by ‘Mad’ King Ludwig II of Bavaria’s Neuschwanstein Castle - the king commissioned a stage designer as architect) is revealed after close inspection to be constructed of sliced white bread.
The various scenes share similar horizons, visually linking up into a fantastical landscape reminiscent of the exotic scenarios created by Dufour in 19th Century hand-printed French panorama wallpapers. The twelve 30x40” landscape prints echo the European tradition of depicting the twelve months of the year or the four seasons.
Gayle Chong Kwan is a Scottish-Chinese Mauritian artist, born Edinburgh 1973. Chong Kwan has shown extensively in the United Kingdom and abroad. In 2005 she received an Arts Council England Award and a Pepinieres Europeennes Pour Jeunes Artistes Award. As well as a BA Fine Art from Central Saint Martins College of Art, she has a MSc in Communications from Stirling University and a BA in Politics and Modern History from Manchester University. Projects include Platform for Art, London; Bonhams Contemporary, London; Great Eastern Hotel, London; Focal Point Gallery, Southend-on-Sea; ARTfutures, London; MAC, Birmingham; inIVA, London; Artsway, New Forest. Residencies include Bolwick Arts, Norfolk; Cittadellarte - Fondazione Pistoletto, Italy and Venice Printmaking Workshop, Italy.
Contact:
Indra Khanna, Curator, Autograph ABP
indra@auto.demon.co.uk
++44 (0)20 7729 9200
www.autograph-abp.co.uk
74 Great Eastern Street, London, EC2A 3JG, UK
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