| |
|
title |
|
type |
|
date |
|
short description |
 |
|
|
|
Magazine |
|
2006 |
|
Issue two examines Baroque and travels from Stella Vine's portraits of Chantelle and Preston to the sensual materiality of Helen Chadwick to Gilles Deleuze's Baroque Soul to desire and disorder in Powell and Pressberger's 'Black Narcissus'. |
 |
|
|
|
Magazine |
|
2006 |
|
Issue three examines Nature and accompanies and expands upon the gallery's Supernature series. It travels from Charlie Porter's urban garden to the birds in Jamie Shovlin's mother's garden to Tudor recreation to albino animals to the simulacrum of nature souvenirs. |
 |
|
|
|
Magazine |
|
2006 |
|
Issue 8 of Tate Etc features 'The Real St Ives Story', Jan Avgikos considers the flowering ot a new reality and Michel Onfray, Jenny Uglow, Chuck Close, George Carey amd Derek Wilson cast and eye back to Holbein. |
 |
|
|
|
Magazine |
|
2006 |
|
My house, Bauhaus. Peter Fischli grew up in a Bauhaus home designed by his father. He talks to us exclusively.
As Martin Kippenberger’s first solo exhibition in a British institution comes to Tate Modern, Alison Gingeras, Roberto Ohrt, John Baldessari, Gisela Capitain, Jutta Koether, Piotr Uklanski and Urs Fischer give personal responses to his work. |
 |
|
|
|
Magazine |
|
2006 |
|
The French art critic Nicholas Bourriaud examines the ways in which Pierre Huyghe mixes fact and fiction, reversing the real to upset traditional expectations of how art is perceived. His strength lies in his understanding that an image always comes with baggage. |
 |
|
|
|
Magazine |
|
2006 |
|
The Dark before the title of Arty 21 does not mean that this issue is merely a homage to a hammy horror style darkness. Of course that kind of glorious over the top gothicness is a worthy subject but our darkness is more about a quietly creeping sadness. The darkness of domestic terrors, secrets and unspoken truths. |
 |
|
|
|
Exhibition Catalogue |
|
2005 |
|
"Paul Butler's paintings perpetually shift between emotional registers. The most noticeable is between the paintings playing out quotidian scenes with a satiric sense of humour and those which comment scathingly on recent world events. But the diversity in the work is always contained by a unity attained through Butler's sense of touch..." |
 |
|
|
|
Magazine |
|
2005 |
|
A Czech photography magazine that aims to be a platform for a confrontation of opinions, ideas, information, critical and philosophical essays, used by both in Czech and foreign art critics, historians and curators with an interest in photography. |
 |
|
|
|
Magazine |
|
2005 |
|
A Czech photography magazine that aims to be a platform for a confrontation of opinions, ideas, information, critical and philosophical essays, used by both in Czech and foreign art critics, historians and curators with an interest in photography. |
 |
|
|
|
Magazine |
|
2005 |
|
What is there in absinthe that makes it a separate cult? Even in ruin and in degradation it remains a thing apart.’ The Green Goddess haunted a nation and fuelled its art, including that of Degas, Sickert and Toulouse-Lautrec.
The body matters, more than at any other time in history. Where should a history of the body in art begin, asks Nicholas Blincoe.
Sarah Lucas explores sexual attitudes using hosiery, fried eggs, chicken and pork. A C Grayling looks at the meaning behind the touring |