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title |
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type |
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date |
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short description |
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Exhibition Catalogue |
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2005 |
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"Paul Butler's paintings perpetually shift between emotional registers. The most noticeable is between the paintings playing out quotidian scenes with a satiric sense of humour and those which comment scathingly on recent world events. But the diversity in the work is always contained by a unity attained through Butler's sense of touch..." |
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Magazine |
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2005 |
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A Czech photography magazine that aims to be a platform for a confrontation of opinions, ideas, information, critical and philosophical essays, used by both in Czech and foreign art critics, historians and curators with an interest in photography. |
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Magazine |
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2005 |
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A Czech photography magazine that aims to be a platform for a confrontation of opinions, ideas, information, critical and philosophical essays, used by both in Czech and foreign art critics, historians and curators with an interest in photography. |
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Magazine |
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2005 |
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What is there in absinthe that makes it a separate cult? Even in ruin and in degradation it remains a thing apart.’ The Green Goddess haunted a nation and fuelled its art, including that of Degas, Sickert and Toulouse-Lautrec.
The body matters, more than at any other time in history. Where should a history of the body in art begin, asks Nicholas Blincoe.
Sarah Lucas explores sexual attitudes using hosiery, fried eggs, chicken and pork. A C Grayling looks at the meaning behind the touring |
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Magazine |
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2005 |
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Christopher Turner investigates the powers of colours, Germaine Greer presents the Patron Saint of Lipstick and we are in the studio with Jeff Wall. |
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Magazine |
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2005 |
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Sculptors and architects both work with form in space, albeit on different scales and using varying methods. Anthony Caro, known for taking sculpture off the plinth, likes the idea that the art form “has another sort of life... that’s a bit closer to architecture”. On the eve of his retrospective at Tate Britain – its largest sculpture show to date – he shares some common ground with “gherkin” architect Norman Foster |
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Book |
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2005 |
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The 'Room' publication was designed by David James Associates and contains 40 pages of photographs and 32 pages of text. Its soft cover and exposed binding add to its unique raw aesthetic. |
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Book |
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2005 |
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Emma Talbot's I'll be your Mirror publication has 36 pages of images and text. It includes Martin Coomer in conversation with Emma Talbot and How Would You Like To Live in Looking-Glass House, an essay by Rebecca Loncraine the current Vera Douie fellow at the Women's Library. |
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Magazine |
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2006 |
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A Czech photography magazine that aims to be a platform for a confrontation of opinions, ideas, information, critical and philosophical essays, used by both in Czech and foreign art critics, historians and curators with an interest in photography. |
 |
|
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|
Exhibition Catalogue |
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2006 |
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"A second chance: isn't that what we all want? There were paintings I had started five or ten years ago, or maybe fifteen years ago and then abandoned, that belonged into a different time of my life, a time I sensed I was about to lose. The events that led to the eviction order and other events that overlook my life inform the underlying narrative to the work." |