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title |
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short description |
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Exhibition Catalogue |
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2007 |
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Alexander Adams works in black and white by traditional means, using pencil and paint, lino cut, etching and engraving. he also writes. This introduction to his work draws heavily upon his writings, though Adams would be the first to acknowledge that any verbal statement about art is a translation from an intuitivem mysterious activity which, finally, is untranslatable. |
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Magazine |
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2007 |
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Art World's inaugural issue features an interview with Louise Bourgeois, a discussion with graffiti artist Eine and ten, in-depth profiles of new art. |
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Magazine |
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2008 |
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In the second issue of Art World David Shrigley argues that he 'is not a comedian' and Maureen Paley explains how she helped put the East End art scene on the map. Including news, reviews and profles of new artists. |
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Magazine |
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2008 |
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The third issue of Art World explores portraits of the artists, the ruins of romanticism and Rachel Whiteread's village. Review, news, profiles and a quiz. |
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Magazine |
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2008 |
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Magazine |
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2008 |
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Magazine |
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2006 |
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The Dark before the title of Arty 21 does not mean that this issue is merely a homage to a hammy horror style darkness. Of course that kind of glorious over the top gothicness is a worthy subject but our darkness is more about a quietly creeping sadness. The darkness of domestic terrors, secrets and unspoken truths. |
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Magazine |
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2008 |
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Yes! Arty 24 is still obsessed with the British vernacular. Diversifying a little from the seaside obsession of Arty 23, the Entertainment issue takes in all manner of traditional pastimes and amusements including eating, magic, music and dressing up as super heros. |
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Magazine |
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2007 |
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Contributors to this issue are Stella Vine, Susan Aldworth, Rachel Potts, Alex Michon, Patrick Galway, Simon Holmes, Annabel Dover and Cathy Lomax.
Read more at Cathy Lomax's - Guardian Art Blog |
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Magazine |
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2007 |
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The seaside is a special place. It is of course the place where the land and the sea meet but more than that it is a place that we can get away to and become different from our normal mundane selves. Even the architecture at the seaside takes on a different look, swaggering helter skelters, modernist buildings that look like ships and little huts painted in candy colours. |
