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title |
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date |
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short description |
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Exhibition Catalogue |
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2004 |
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This catalogue includes excerpts from a public discussion of the exhibition with Mel Gooding, Barry Barker and the artist. |
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Exhibition Catalogue |
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2006 |
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"A second chance: isn't that what we all want? There were paintings I had started five or ten years ago, or maybe fifteen years ago and then abandoned, that belonged into a different time of my life, a time I sensed I was about to lose. The events that led to the eviction order and other events that overlook my life inform the underlying narrative to the work." |
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Exhibition Catalogue |
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2007 |
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Alexander Adams works in black and white by traditional means, using pencil and paint, lino cut, etching and engraving. he also writes. This introduction to his work draws heavily upon his writings, though Adams would be the first to acknowledge that any verbal statement about art is a translation from an intuitivem mysterious activity which, finally, is untranslatable. |
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Exhibition Catalogue |
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2005 |
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"Paul Butler's paintings perpetually shift between emotional registers. The most noticeable is between the paintings playing out quotidian scenes with a satiric sense of humour and those which comment scathingly on recent world events. But the diversity in the work is always contained by a unity attained through Butler's sense of touch..." |