artists / curators / writers

	name	short description
	Jost Müenster	JM plays with the perception of two-dimensional and three-dimensional space. His paintings track volume in space, delineated by colour and line, whilst the surface of the sculptures reveals delicate tones of collaged papers that almost deny their volume. He lives and works in London, studied at Goldsmiths College of Art. Selected exhibitions include: 2007: Wood for the Trees and Falling Leaves, Gimpel Fils, London; Seo Gallery, Seoul. 2006: Still, Lounge Gallery, London; John Moores 24; Walker Art Gallery; Liverpool; Sensous Panorama; Lounge Gallery London. 2005: current vision, Sartorial Contemporary Art, London. 2004: The Horizon of Expectation, Empire Gallery, London. In 2006 he was sh
	Judith Supine	Judith Supine is an interesting street artist from New York but thanks to the TELETRANSPORT we can admire some of his work in the streets of London. Collage is at the core of his practice.
	Julian Brown	He lives and works in London, studied at the Royal Academy Schools and Liverpool JMU. Selected exhibitions include: 2006 Summer Exhibition, Contemporary Art Projects, London; Royal Bank of Scotland. 2005 Flashart Belfast. 2004 Summer Exhibition, Royal Academy, London; Pattern World, Paton Gallery, London. He has won the Debenhams Prize and British Heritage Travel Bursary. His works are in the collection of Royal Bank of Scotland and Debenhams, amongst others.
	Julie Goldsmith	My latest installation, for Still Another Place is inspired by The Crypt. I made the accosiation of Dickens and visited the nearby Foundling Museum, where i saw the heartbreaking tokens: engraved coins, hand made hearts, a tiny key and other momento given by mothers who gave their children up as a method of identification should they ever be able to collect them. I have created a piece called The Dream Of Little Nell, as she sleeps in her tiny closet, in the empty Old Curiosity Shop, alone, while her grandfather is out gambling.
	Julie Greenslade	Lives and works in London. Makes work which is concerned with the process of painting and the language of colour. Has sold work internationally and is currently exhibiting at contemporary art projects start your collection in Hoxton. This body of work is entitled fragility and is about the spaces we find in ourselves at times of intense emotional experiences. Colour, light and texture are used to create "visual poems" which evoke moods of a transient and ambiguous nature. The primary goal is to move the viewer to a place beyond words and trite explanations.
	Julie Held	She lives and works in London, and studied at The Royal Academy Schools and Camberwell School of Art. Selected exhibitions include: 2007 Ben Uri, Museum Exhibition with Shanti Panchal, London. 2006 Summer Exhibition Alpha House Gallery, Dorset, UK. 2005: The London Group Annual Exhibition, London; The Royal Academy Summer Exhibition, London. 2004 Shortlisted for Long Live Painting is Dead, Hastings Museum, (curator Gary Hume). 2003 The Jerwood Drawing Prize, Jerwood Space, London.
	Julie Masterton	Julie Masterton describes her works as ‘drawing and boarders in space.’ Study for a uniform (2008) is documentation of drawing in space, taking visual motif and reference from abstract patterning of primary uniform found within sporting events and social arenas. The drawing in space incorporates two figures dressed in identical simultaneous garments composed of interlocking planes of color that corresponds with vertical lines in the sculptural space. “A certain situation is stated’ by the visual disruption” Bridget Riley. Masterton is well known for painted wooden lines of varying size – which are minimalist art objects as well as instruments of artistic intervention. Handmade by the artis
	Julie Umerle	Born Connecticut, USA. Currently lives and works in East London. Studied at University College Falmouth and Parsons School of Design, New York. She has exhibited her work extensively. Her work is included in several notable collections, including Deutsche Bank and Warburg Pincus. Received Arts Council England awards in 2007 and 2005.
	Jung Mi	The source of inspiration for my work is essentially the search for perfect state in which love without the limitation of sex, reveals a state of grace. This search includes a wide range of aspects, including mysterious things, freedom, nature, desire for another world and these are related to fantasy and feminism. This is largely because of my childhood. There are flowers, water and mirrors in my painting. Flowers which are reflected in a mirror and water represent a dream world where I can fly freely. I want to be as a bird and fly to another world where I can dream a lofty love. Mirrors are the mirror stage (self-discovery in unconscious) in Lacan’s theory and water means freedom.
	Junghee	I am interested in ego which is existential, yet absent. This idea stems from my central concern, life’s ephemeral moments involving nature and mankind.In my work I endeavour to capture this very essence by depicting settings where the presence of people is only hinted at. Viewing my paintings from a distance the viewer is aware of a calm landscape which on closer inspection reveals delicate figurative drawings. These drawings are etched and marked on the paint surface, scarring and scratching the skin of the painting. 2007 The spectrum, Jerwood space, London 2007 “4482” Kings park studio, London 2007 MA Fineart Degree show, Chelsea College of Art & design, London 2007 Mind the Gap, Theatre
	Justin Coombes	Justin Coombes makes colour photographs by projecting images onto buildings and interiors at night with a small slide-projector. In real time, the naked eye can hardly discern an image, but Coombes photographs these scenes using long exposures. Justin Coombes was born in 1977. As well as photography and video, his work uses performance and drawing. He has exhibited extensively in London and abroad and recently won the prestigious BOC Group Emerging Artist Award 2005. He studied at Goldsmiths College, University of London and The Ruskin School of Drawing & Fine Art, University of Oxford
	K-Guy	He's a moralist, a printmaker and a pop artist.
	Karl England	The content of my work is concerned with the romantic futility of depicting the invisible. How can the visualized un-visual be depicted with any clarity? I maintain a conceptual approach to painting that toys with its limits as a medium. The painted imagery hovers just on the edge of immateriality. Embracing the notion of certain failure, my work explores ideas around the exhaustion of symbols, tropes of absence, invisibilit and concealment (...)" Selected Exhibitions include: The Triumph of Panting TheLegion @ The MusicRoom, Mayfair 2006 Summer Exhibition FosterArt, Shoreditch 2006 Working for Peanuts Space 44, Hackney Wick 2005
	Kate Belton	1994-1996 MA (RCA) Fine Art Painting. Royal College of Art, London. 1991-1994 BA HONS Fine Art Painting, First Class HONS Degree. Central Saint Martins College of Art and Design London. Collections: British Airways, British Council, British Land, Deutsche Bank, John Moore’s, J Sainsbury. Private collections UK and International. 2007 ‘Artificial Glory’ Standpoint Gallery, London. 2006 Hugh James Solicitors, Cardiff. Curated by CBAT The Arts & Regeneration Agency Korean Embassy, London ‘Art Incentive Prize Amstelveen’ KAA Foundation, The Netherlands ‘Cool’ Cynthia Broan Gallery, New York ‘Animal Crackers’ British Airways ‘A Family Album: Brooklyn Collects’ Brooklyn Museum
	Kate Coxmiller	KCM's paintings are explorations of the 'singular' image: the vision of an object or event that is so unusual or unexpected; so charged with affect or import, that it 'stands apart' -suspended outside of the normal sequence of time and the customary coordinates of understanding. These images stand apart even from their owners. Her paintings present us with isolated instants; stills or snapshots of life that have been cut adrift from their moorings in a particular, personal history. They are, therefore, both inexplicable but also strangely intimate, since they address the viewer as a familiar. They involve us in the profoundly uncanny act of recognising something that is apparently unknown.
	Kate Potter	Lives and works in London, and studied an MA in Photography at the LCC. Selected exhibitions include, 2006: Inspired Art Fair, London; Solo Exhibition, Lounge Gallery, London; AOP Student Awards, Association Gallery, London; Four
	Katherine Lubar	painter based in London also involved in curating shows for the Dorian Gray project with Infinity Bunce
	Katherine Kicinski	Fascinated by the ways time can reveal itself within spaces, Katherine Kicinski's paintings explore a mysterious territory: the continual shifting from presence to absence, the transformitive moment as future becomes past, where everything has a physical and sensory immediacy and yet seems always to allude our reasoning, close at hand yet hard to describe. She lives and works in London and graduated from the Royal College of Art in 2005 and was selected for New Contemporaries 2006. Selected Exhibitions: 2007: Slippery Slope, Group Show, Emma Hill Eagle Gallery, London 2006: Shortlisted for 'John Moores 24', Walker Art, Liverpool 2005: 'The Show 2005', Royal College of Art, London.
	Katherine Russell	Manipulating, scratching into, peeling back, covering, revealing, seducing. The paint itself is central to all works. The development of the work is intuitive with an ever-shifting focus of interest. The work thus moves, evolves and grows. Once finished the images conjure up a world of thoughts, feelings and memories, floating fantasies; they become dreamscapes.
	Keith Roberts	1990-92 Royal College of Art, MA Fine Art 1987-90 Newcastle upon Tyne Polytechnic, BA (Hons) Fine Art 1986-87 Camberwell School of Art, Foundation Course "I am interested in making images that reflect the history, layering and stratification of it's subject, whilst also acknowledging the uncertainties of memory. Engaging with the city for example, the image appears to be falling apart yet remains complete and vibrant. The paint application allows a history to build up which is then sometimes altered or even obliterated by subsequent additions. The work reflects the city as being a site of constant re-invention."