artists / curators / writers

	name	short description
	Sumiko Seki	In my recent work, I am interested in the process of creating imaginary landscapes, often inhabited by female figures. In these landscapes, the figures are often isolated, without the prospect of rescure or relief, reflecting our own search for morality or human emotion withih an indifferent world. Education: 2002 MA Fine Art, Chelsea College of Art and Design, London. 2001 BA (Hons) Fine Art, Byam Shaw School of Art, London
	Swava Harasymowicz	MA Communication Art and Design, Royal College of Art, 2006
	Sweet Toof	Sweet Toof is everywhere. He or she or they come from an age called Before Chrome or Burning Candy. They travelled the time and found an attractive spot in the Brick Lane where they started to reproduce and produce and reproduce. They look peaceful, quite satisfied actually, so feel safe they won’t harm you.
	Swoon	Swoon is a street artist from New York and this is a definition of her work by Pure Evil: Swoon you rule.
	Tamara Dubnyckyj	These paintings offer glimpses of a person navigating a the architecture of a city at any point during the last 55 years. Ballrooms and entertainment spaces Band names Rhythm. British Seaside Towns Peepholes and Stage mirrors, lit Our True Intent is all for Your Delight
	Tarragon Smith	A lost Canadian, he is currently living in London, UK. Tarragon's superb paintings of young women and desolated landscapes are represented with an equal touch of emotionalism and distance - what he fondly calls Pragmatic Romanticism. This is seen in his engagement with both the source and the lie behind the Male Gaze; a social dichotomy usually directed (not exclusively) at young women and girls who are given the attributes, but the not reality, of sexual attractiveness. His models come from his strange assortment of friends. The landscapes come from the various places he has live and and grown to love.
	Tatiana de Stempel	Tatiana's work encompasses paintings, etchings and digital images. Her practice has been the concept of mythology, identity, gender and painterly action. Tatiana's work has been involved with the head; the head as an identifiable, semiotic phenomenon. Her work is concerned with both verbal and visual languages. She is looking at ways to produce pictorial characters and develop narratives in her paintings to create a dialogue between her work and the public. Tatiana de Stempel is a graduate of Wimbledon School of Art and a visiting tutor at Central Saint Martins College of Art and Design Selected Exibitions: 2007: Michael Simkins 45-51 Whitfield Street London Holi Art Room, 119 West
	Teiji Hayama	Hayama's paintings join together western & Japanese influences, combining different art historical periods with contemporary Japanese pop culture.Many of the figures are pictured with fruits & animals which refer to theme from Christian art such as sin, salvation, envy & love.Hayama's pale, ethereal figures with frail bodies & pale tinited eyes often inspired by mangas, portray an angelic appearance which clashes with a penetrating & unnerving glare directed at the viewer. Hayama communicates the innocence of children by portraying nude girls. Nudity combined with innocence & vulnerability is often depicted in Japanese pop art. Hayama also wants to show the transition from childhood to adole
	Tereza Buskova	700IS International Film and Video Festival, Iceland 2008 Original Print Art Fair, Royal Academy, London 2008 'Rituals' Jason Dodge/Tereza Buskova, 111 Gallery, London 2008 Awards:Best Foreign Film' Award, Parnu International Film & Video Festival, Estonia 2007 Axis Web, Graduate Programme, London 2007 Associate mebership of the Printmakers Council Award, London 2007 Shortlisted for Conran Foundation Award, RCA, London 2007 Leverhulme Trust Award, RCA, London 2006 Residency at RCA studio, The Cite Internationale Des Arts, Paris 2006 Fellowship Programme, Northumbria University, Newcastle 2004
	Terry Smith	Terry Smith chips away at the very essence of the most of basic materials, be they plaster walls, texts, brooms or film to uncover the unclear. In his own words he suggests that there is no inherent method, no rigorous mapping, but it is apparent that this seemingly ephemeral appropriation of materials is constantly playing counterpoint to a challenging intellectual curiosity.