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A lot of my work explores various aspects around memory, memory gaps and present understanding of previous and past events. I am intrigued by memory, how certain episodes and events fade, how we relive moments and how we supress them.
I work through a process of making a lot of drawings quickly as a starting point of my work. I cut the drawings up, recompose them, cut them up again and back together as a new picture. This method of editing and cropping allow the context to slip and gives new light to original index. |
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Victoria Hall's work is a combination of an ethnographical and performative approach resulting in documented pieces using photographs and text. In the present series of humorous and sophisticated restaging of famous British and European paintings from the 16th through to the 20th century, careful attention is paid to lavish costumes and grand surroundings, in which Hall is always the leading lady.
Education:
1994/5 Chelsea College of Art & Design, MA Fine Art: Combined Media
Selected Exhibitions:
2005: Portrayal Solo Show, Lounge Gallery, London; 2004: Portrayal Solo Show, Saltburn Artists projects |
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Vincent Hawkins was born in Hertfordshire in 1959. He studied at Maidstone College of Art 1984-87. His group shows include Recent Graduates Show (selected from art colleges in the south east) Angela Best Gallery Canterbury 1987, Old Subject New Object Bonington Gallery Nottingham 1990 and an exhibition at Clapham Art Gallery London 1997. He has been shortlisted for the Jerwood Drawing Prize 2006. |
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Painting is essential to me, it is the way that I record and respond to what I have seen in the world. I have included in the slides not only paintings, such as 'Dark Summer', but also the three dimensional work 'Chair'. I am particularly interested in the way we look at a painting, that we return and re look. There are rhythms like a musical score where a theme is repeated, or inverted, with my painting it ends up as a kind of structure and pattern.
She lives and works in London.
Her solo exhibitions have been in association with the Eagle Gallery, the Adam Gallery and the Whitechapel Gallery, London. |
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Born in Japan 1983.
Chelsea college of Art and Design (BA) graduated 2007. Short listed Celeste Art Prize 2007.
London based artist.
Exhibitions:Apr 2008: `00 Nature exhibition at contemporary art projects. Jan 2008:It's not over yet at Et Cetera Gallery. Nov2007:title of space at Laviande Gallery. Jul-Sep 2007:Selected Exhibition at Salon gallery. Jun 2007:Degree show at Chelsea College of Art and Design.
Apr 2006: Group Exhibition at Royal Marsden Hospital
Mar 2006: Exhibition at St Georges Hospital
Oct 2005: Putney Art Theatre Group Exhibition
Nov 2004: Putney Art Theatre group Exhibition |
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Japanese artist Yuki Snow (Yuki means snow in Japanese) studied Fine Art Painting for 5 years in Japan before moving to England in 2001 where she studied at the University of Brighton; graduating in 2005.
Her colourfully embroidered oil paintings reveal stories of a space of migration, fascnation with birds and her own experiences of coming from another country. Her textured creations combine knitting, sequins, buttons, embroidery, acrylic and oil painting as she believes that touch is important in her artworks; their 'relief-quality' almost as a form of Braille. |
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Zara Matthews’ paintings give the impression of mechanical reproductions rather than having been produced by hand. Continuing a lineage from Andy Warhol’s machine-like silk screens and Gerhard Richter’s photo-paintings, her paintings of serially repetitive portraits tend to destabilize sameness, producing instead what Foucault calls similitudes: a site not of identity maintenance, but of both likeness and difference. Born out of a curiosity with cloning and genomics, her work reflects on the effects of this biological revolution on human coexistence, individuality and people’s self-image.
She lives and works in London and studied at the Royal College of Art. |
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My work is primarily concerned with a quest to understand what it is to be human
through the act of painting; my paintings are the cathartic product of my
research into identity and often transpire through a process of studying philosophy, reflecting on life experiences and other tangents thrown up through attention to serendipity.
I apply a mixture of traditional techniques , researching the methods of The
Masters and experimenting with them in my own work.
My painting, as in ‘the act of’, celebrates and explores the visceral qualities
of paint and the technical possibilities of painting. The current toy paintings
were the product of my research into childhood as a discourse. |