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Education: 1989 Birbeck College, U.C.L. London (BA in Philosophy); 1984 Central St. Martins, London (BA in Fine Art); 1981 Chelsea School of Art, London.
Selected Exhibitions: 2003 Atlantic, Fosterart, London. 2002 Out of Site, Howard Scott Gallery, New York. 2000 Arrivals and Departures, M-13 Gallery, New York. 1994 Figure of Eight Gallery, London. 1992 Patricia Brown, London. 1991 R.J. Hava, Los Angeles. 1988 The Showroom, London. |
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He lives and works in London and studied at the Royal College of Art, and University College Falmouth. Selected exhibitions include: 2005: BOOM, One Small Step, London; Pattern, Blyth Gallery, London. 2004: Finding the cheese pot, Hockney Gallery, London; Interim 2004, Royal College of Art, London; Mythopias, Chambers Gallery, London. 2002 Fresh Air, Old Truman Brewery, London. 2001 Local, Falmouth Art Centre, Falmouth. 1999 Selected Works, Hotbath Gallery, Bath. |
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JM plays with the perception of two-dimensional and three-dimensional space. His paintings track volume in
space, delineated by colour and line, whilst the surface of the sculptures reveals delicate tones of collaged
papers that almost deny their volume. He lives and works in London, studied at Goldsmiths College of Art. Selected exhibitions include: 2007: Wood for the Trees and Falling Leaves, Gimpel Fils, London; Seo Gallery, Seoul. 2006: Still, Lounge Gallery, London; John Moores 24; Walker Art Gallery; Liverpool; Sensous Panorama; Lounge Gallery London. 2005: current vision, Sartorial Contemporary Art, London. 2004: The Horizon of Expectation, Empire Gallery, London. In 2006 he was sh |
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Judith Supine is an interesting street artist from New York but thanks to the TELETRANSPORT we can admire some of his work in the streets of London. Collage is at the core of his practice. |
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He lives and works in London, studied at the Royal Academy Schools and Liverpool JMU.
Selected exhibitions include: 2006 Summer Exhibition, Contemporary Art Projects, London; Royal Bank of Scotland. 2005 Flashart Belfast. 2004 Summer Exhibition, Royal Academy, London; Pattern World, Paton Gallery, London. He has won the Debenhams Prize and British Heritage Travel Bursary. His works are in the collection of Royal Bank of Scotland and Debenhams, amongst others. |
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My latest installation, for Still Another Place is inspired by The Crypt. I made the accosiation of Dickens and visited the nearby Foundling Museum, where i saw the heartbreaking tokens: engraved coins, hand made hearts, a tiny key and other momento given by mothers who gave their children up as a method of identification should they ever be able to collect them. I have created a piece called The Dream Of Little Nell, as she sleeps in her tiny closet, in the empty Old Curiosity Shop, alone, while her grandfather is out gambling. |
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Lives and works in London. Makes work which is concerned with the process of painting and the language of colour. Has sold work internationally and is currently exhibiting at contemporary art projects start your collection in Hoxton.
This body of work is entitled fragility and is about the spaces we find in ourselves at times of intense emotional experiences. Colour, light and texture are used to create "visual poems" which evoke moods of a transient and ambiguous nature. The primary goal is to move the viewer to a place beyond words and trite explanations. |
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She lives and works in London, and studied at The Royal Academy Schools and Camberwell School of Art. Selected exhibitions include: 2007 Ben Uri, Museum Exhibition with Shanti Panchal, London. 2006 Summer Exhibition Alpha House Gallery, Dorset, UK. 2005: The London Group Annual Exhibition, London; The Royal Academy Summer Exhibition, London. 2004 Shortlisted for Long Live Painting is Dead, Hastings Museum, (curator Gary Hume). 2003 The Jerwood Drawing Prize, Jerwood Space, London. |
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Julie Masterton describes her works as ‘drawing and boarders in space.’ Study for a uniform (2008) is documentation of drawing in space, taking visual motif and reference from abstract patterning of primary uniform found within sporting events and social arenas. The drawing in space incorporates two figures dressed in identical simultaneous garments composed of interlocking planes of color that corresponds with vertical lines in the sculptural space. “A certain situation is stated’ by the visual disruption” Bridget Riley.
Masterton is well known for painted wooden lines of varying size – which are minimalist art objects as well as instruments of artistic intervention. Handmade by the artis |
