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Artist's statement: (...) "I make large-scale, color, photographic prints and videos, turning mundane events and memories from my daily life into fantasies. The events can be anything from playing in the snow, to a bird getting caught in raspberry netting. Sometimes, I respond spontaneously to an event in the world and grab my camera. Other times, I recreate a scene from a past event and photograph it." (...)
2000 M.F.A, Bard College, Milton Avery Graduate School of the Arts, Annandale, NY 1994 B.A., Yale University, New Haven, CT
Solo exibitions:
2006 Solid Ground, Jen Bekman Gallery, New York, NY
2005 Orange Tickle, Jersey City Museum, Jersey City, NJ |
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1965 Born in Kilwinning, Ayrshire, Scotland
1983-7 BA(hons) !st Class, Painting, Grays School of Art, Aberdeen
1987-9 MA, Painting, Royal College of Art
Awards:1989 Fleur Cowles Award for Excellence, RCA, 1988
Beal Foundation Award, Royal College of Art
Solo Exhibition:1994 William Jackson Gallery, London
1997 Jill George Gallery, London |
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He lives and works in London and studied at Royal College of Art and Goldsmiths College, London. Selected exhibitions include: 2007 Restoration, Cell Project Space, Bethnal Green, London. 2006: Seeking Tacit Utopias, Nottingham, UK; RCA Interim Exhibition, Royal College of Art, Kensington Gore, London; Art fest, Nursted House, Petersfield, UK; Pleasure Yourself, Howie Street Studios, RCA, London. 2004: The Relaxed audience or Why We Are So Wise, The Jeffrey Charles Gallery, London. |
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Imogen transforms Found Objects in a highly crafted way, making the ordinary ‘uncanny’ and taking the familiar into new territory. Her concerns include the nature of the art object and sculpture’s history - as well as social commentary surrounding commercialism.
Living and working close to London Imogen has a BA in Fine Art from Buckinghamshire Chiltern University College. She has been selected for exhibitions at the Royal West of England Academy and the Margaret Harvey Gallery. Group exhibitions include South Hill Park (Bracknell), 435 Gallery (Slough) and she has participated in the RCA Secrets exhibition for the last 3 years. |
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Graduated from MA Fine Art Central St. Martins, 1999. Presently living in London. Curator/ Painter. Presently dealing with issues of youth culture. |
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The visual components in Nicholls’ paintings are presented as traces of dystopian contemporary landscapes; and the awkward gathering of mark making- fragile and heavier- handed, serve to trigger a disjointed sense of time and association. Drawn from snippets of life found in paraphernalia of sources like magazine images and smears of paint on studio walls, her compositions are compelling images of the struggle between the power and fragility of contemporary life.
She studied at the Royal College of Art and Chelsea College of Art and Design
Selected exhibitions include:
In 2004 her work was selected by Gary Hume for Contemporary Brithish Painting
2006 Studio d'Arte Cannaviello, Milan |
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My world as a mother of 4 can become very insular. In the muddle of our existence it would be all too easy not to look out into the world. Yet underpinning this existence are the changing rhythms and patterns of nature. Impossible to ignore, isolate or remove.My work attempts to illustrate how these rhythms inform our day to day rituals.Using natural materials, fundamental processes are replicated. Piles of shirts, socks, sheets are reproduced in leaves and bark. As they dry out, the piles take on colours and forms of their own. The domestic interior reaches out to the natural world. Garments are made from wood, leaves or bark. |
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Clark’s paintings are populated with images of vaguely remembered holiday exploits of family groups; sketchy staged bodies in sports gear and action; and the burning clarity of gaudy hallucinated Lidos. Tableaux of organised leisure, they trigger historical associations with sports culture in the period of modernism after World War I, and critically engage with the related concept of ‘utopia’. He lives and works in London and studied at the Royal College of Art and Brighton Polytechnic. In1994 he won the Atlantis European Prize. Selected exhibitions include: 2004 James Coleman Gallery, London; Aspex Gallery, Portsmouth. 2003 Jerwood Drawing Prize. 2002 John Moores 22 |
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Born 1974 in Devon. Lives and works in London. |
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James Faure Walker has been incorporating the tools of computer graphics into painting since 1988. He works with both physical and digital paint, playing on the contrast between the two, fascinated by what has now become possible. Alongside his visual work he has written on this theme, making the case for understanding digital art as a continuation, an extension of the culture of painting. He studied at St Martins and the Royal College of Art. He has exhibited widely overseas since the seventies, including solo shows in Germany and the USA. In 1998 he won the Golden Plotter at Computerkunst, Germany. In 2002 he was awarded an AHRB Senior Fellowship. He is a Research Fellow at Camberwell, Uni |
