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Michon’s practice is emblematic of 90s Third Wave obsession with punk, girls with guitars, anti-consumerism and the fetishization of ambiguity. Utilising drawing, painting and craft techniques she makes interventions with post-feminist attitudes, creating very personal essays: Decoupages over pages of romantic fiction disrupt concepts of ideal love, and revel in a fascination with dark romanticism. Drawings and paintings of Beatniks, Ronettes, dandies and 50s heart throb Billy Fury, reveal a contemporary obsessional need to create uber worlds of lost longing.
She lives and works in London and studied at Central Saint Martins. She co-directs Transition Gallery. |
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Cathy Lomax’s practice is rooted in the romance of popular culture, assimilating media fictions and mythologies of fame into a seductive story- telling process. Photography is the source material through which she re-invents her wish-list of popular icons- particularly from English history and contemporary culture.
She studied at Central St Martins, London; is the editor of Art Fanzine Arty and Garageland; and runs Transition Gallery. Selected exhibitions include: 2006 Vignettes: Sad stories of beauty, exploitation and prestige, Rosy Wilde; 2004 She's No Angel, James Coleman; Girl on Girl, Transition Gallery, London. |
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She lives and works in London and studied at Bath Spa University, School of Art and Design, and Chelsea College of Art, London. Selected exhibitions include: 2007, Creekside Open X2, APT, London,
Spectre vs. Rector, The Residence, London,
34% Pork, Bartlett’s Gallery, London, Art and Pidgeon Pie, The Crypt Gallery, St Pancras Church, London
Winter Exhibition, Contemporary Art Projects, London, 2006, Fame is the Spur, La Viande, London
Scampi, Chips and Peas, Hotbath Gallery, Bath. 2005, Geisterfahrer! (Ghostdriver!), Paintworks, Bristol.
Drawn, Plan 9 Gallery, Broadmead, Bristol Popularity Contest, the Old Truman Brewery, Brick Lane, London |
